Match every camera to any reference you want.
A timeline shot on more than one camera never quite matches. Point MOVON, the AI colorist inside your editor, at the reference you want, and it carries that look across every clip: drone, phone, and action cam pulled right up to your cinema cameras.
Free during the private beta. No card.
A fresh match on every frame.
One reference in, this out. MOVON recomputes the match on every frame, so a mixed-camera timeline holds together.
Same reference, every camera.
Not a filter. Not a LUT. A trained model, working every frame.
Reads the image, not the metadata
The engine works from the picture itself. No camera profiles, no color charts, no sidecar files.
Inference, frame by frame
As light shifts inside a shot, the engine recomputes the match so the look never drifts.
Trained on real footage
Built on thousands of graded images and retrained as new footage arrives. Phone, drone, log, RAW, CGI, it has seen them all.
One clip. Every look you can imagine.
Not sure yet? Change the reference and rematch in a click. Same clip, every look, until it feels right. Free during the beta, so try them all.
Whatever you shot on, it matches.
Cinema camera, phone, drone, stock, even AI frames. MOVON reads the picture, not a data sheet, so where it came from stops mattering. Pick a source and watch it fall in line.
Any reference
Choose any visual reference or photographic process. MOVON reproduces its imaging behavior consistently across footage from any camera or source.
Technical and stylistic
It matches both the camera (technical) and the look (stylistic) in a single pass, tailored to your inputs instead of one fixed filter.
Pick a reference, then match.
Two steps, right in your editor. No exporting, no round-trips, no learning curve. Tap one to see it in the panel.
Works in your timeline.
No exporting, no round-trips, no render waits. MOVONmatches your clips right where you are already editing, Premiere Pro today, Resolve and Final Cut next. Days of a colorist’s work, done in minutes.
Your own look library.
Every match you love is saved. Build a library that is yours: a warm look for one client, a cool one for another, the grade you reach for every episode. Pull any of them onto a new job in one click, and a series stays consistent shot after shot.
Your footage never leaves your machine.
The biggest worry with an AI tool is your frames landing on someone else’s servers. Not here. MOVON reads your footage locally and sends only color data. No images, no video, nothing you can watch leaves your machine.
A better match, frame by frame.
Most tools stamp one look on the whole shot, or make you dial in camera profiles first. MOVON is a trained AI model that re-matches every frame, in minutes, with nothing to set up. Hover any cell for the detail.
| MOVON Match | DaVinci Resolve | CineMatch | fylm.ai | |
|---|---|---|---|---|
| Trained AI model | purpose-trained, runs on powerful servers | algorithmic scopes math | measured camera profiles | cloud AI, general-purpose |
| Match on every frame | recomputed per frame, follows the light as it drifts | one pass per shot | one fixed transform | one static grade per shot |
| Any source | phone, drone, log, RAW, CGI, AI frames | best on clean, known footage | supported-camera list only | handles mixed sources well |
| No chart or metadata | reads the picture itself | Color Match wants a chart | no chart, but you pick source profiles | chart tools optional |
| Nothing to set up | no profiles, no charts, just pick a reference | manual scopes and wheels | pick source and target profiles first | guided, but hands-on |
| Match in minutes | automatic, seconds to minutes a timeline | fast, but graded shot by shot | quick once profiles are dialed in | upload and download round-trip |
| Learns your looks | saved looks, retrained on new footage | saved grades, nothing learns | big looks library, model stays fixed | |
| In your editor | Premiere now; Resolve, Final Cut next | inside Resolve only | Premiere, Resolve, Final Cut | browser app, export back |
| Footage stays local | only color data travels to the model | frames upload to the cloud | ||
| Price | free during the beta | free version is genuinely strong | one-time license | subscription |
Prove it on your own footage, free.
Free during the private beta: create an account and start matching. After that, pricing is per clip, not per seat. One credit per clip, and exports are always free.
For the hobbyist with a few multi-cam projects on the go.
- Match up to 2,000 clips a month
- One credit per clip you match; exporting the finished match is always free
- A standard match you can export and fine-tune
- Looks Library, save and reuse your looks
- Unused credits roll over, up to 2x
For working editors with weekly deliveries, series, and repeat clients.
- Match up to 8,000 clips a month, better rate
- Everything in Starter
- Priority processing
- Direct support from the people who built it
For teams and high-volume post. One pool, every project.
- Match up to 25,000 clips a month, best rate
- Everything in Pro
- Shared credit pool across the team
Heavy month? Add 1,000 credits for $15, anytime. Exporting your matches never costs a credit, only the match does, so top up when you run low.
Good to know.
Honest answers. If yours isn't here, MOVON Labs reads every line at hello@movonlabs.com.
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