Match every camerain one timeline pass.
MOVON reads your timeline, groups the cameras on its own, and matches every clip to the hero, without leaving Premiere Pro. DaVinci Resolve and Final Cut Pro are on the way.
Get notified when DaVinci and Final Cut versions ship — drop your email.
Built different.
Built for the way you edit.
Four reasons in four different sizes, because not every difference needs the same airtime.
Inside your editor
No round-trips, no separate apps. MOVON runs as a plugin inside the NLE you already use: Premiere Pro today, DaVinci Resolve and Final Cut Pro on the way.
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AI, not presets
Match any camera to any camera. Even ones MOVON has never seen.
AI
Built for multi-cam
MOVON reads the whole timeline, groups it by camera, and matches each group to the hero. Made for shoots with three, five, or seven cameras.
3·5·7
Standard output
Exports as a .cube LUT. Works in any NLE that reads LUTs. Edit, override, ship.
.cubeAnalyze once.
Every camera matched.
MOVON groups the cameras, picks the hero, and matches every clip. Try it below. Pick a clip to act as the hero.
MOVON reads the timeline
Hit Analyze. MOVON groups every clip by camera, picks the hero on its own, and shows the plan. Change the hero in one click if you disagree.
Drag to see the cameras agree.
One hero camera, the rest matched to it. Left is the raw camera, right is what MOVON did. Pick a camera below.
Canon C70 · medium → matched to the Sony FX6 hero
The same match.
None of the busywork.
MOVON does not replace the colorist. It removes the part nobody wants to do. Here is what changes.
MOVON Match is in private beta. The match chain runs end to end; one-click timeline apply and performance tuning are in active development; see the roadmap.
Every camera on the
timeline, in agreement.
MOVON keeps the look consistent when the rig isn't.
Feature Film
Long shoots, multiple units, A-cam through E-cam. MOVON normalizes every camera to the DP's chosen hero, so dailies look right on day one, not after weeks of color grading.
From the colorist's chair
to the DIT cart.
MOVON earns its keep with whoever owns the timeline.
Colorists
Skip the camera normalization pass. Open the timeline with everything already balanced, then spend your hours on the creative grade, not the boring math.
Where MOVON started, and where it earns its keep first.
Directors of Photography
Lock the look on day one. Dailies match your reference across every camera on set.
Post Supervisors
One .cube to ship. Ship the conform without a manual matching pass.
Editors
Cuts that look wrong stop reading. Keep the assembly visually honest.
DITs
Match on set, not a week later. Hand over a unified dailies package.
MOVON learns the look,
not the model number.
Cinema, mirrorless, smartphone. MOVON doesn't need a profile.
Right now, MOVON is free.
Get it. Use it. We'll let you know when paid plans launch in January 2027.
- Docked Premiere Pro panel. DaVinci Resolve and Final Cut Pro planned
- Timeline analysis: automatic camera grouping + hero auto-pick
- Unlimited matches across every project and every camera on the timeline
- Standard 33³ .cube LUT per camera group, works in any NLE
- Runs on your Mac, with no upload, no account, no connection
- Every update included while the beta runs
- Direct support from the people who built it
No credit card. No strings. No “free for 14 days then $X.” Just free until 2027.
Download$99.90/year · save ~$19
- Everything in Early Access, plus:
- DaVinci Resolve and Final Cut Pro panels as they ship
- HDR and Rec.2020 output as they land on the roadmap
- Direct line to the team. Feedback shapes the build
- Cancel anytime, no questions asked
Early Access users get a launch discount.
Get notifiedWhat ships now.
What comes next.
MOVON Match is in private beta. Here is the honest state of it. No dates promised, just the order things land in.
Premiere Pro panel
A docked UXP panel inside Premiere, with a local match engine running beside it. No upload, no account.
Timeline analysis & matching
MOVON reads the timeline, groups every clip by camera, picks the hero, and generates a .cube LUT per group. The full match chain, on your Mac.
One-click timeline apply
Writing every generated LUT back across the whole timeline in a single click, as one undo step. The match is ready; this is the piece being wired up now.
Auto / Manual mode
Let MOVON drive the whole match, or take the wheel. Override the hero, the grouping, or any single clip.
Match confidence
A per-clip confidence read, so the cameras that need a second look are the ones that say so.
DaVinci Resolve & Final Cut Pro
The same match engine, wrapped for two more editors. Same backend, new panels.
HDR & Rec.2020 output
Matching ships in Rec.709 today. Wide-gamut and HDR delivery are in active development.
Cloud option & Windows
The beta is fully local by design. An optional cloud engine and a Windows build come after launch.
Plans shift as the beta teaches MOVON Labs what matters. This list moves with it. Last reviewed May 2026.
DaVinci Resolve and Final Cut Pro versions are coming.
Drop your email. MOVON Labs ships a note the moment Resolve and FCP land. No marketing fluff. Just the launch.
We'll send you one email per launch. Unsubscribe any time. GDPR compliant.
Common questions.
Honest answers. If yours isn't here, MOVON Labs reads every line at hello@movonlabs.com.