Now available for Premiere Pro

The AI color matchthat lives inside your editor.

Match footage from different cameras across Premiere Pro, DaVinci Resolve, and Final Cut Pro — without leaving your timeline.

PRPremiere ProAvailable
DVDaVinci ResolveSoon
FCFinal Cut ProSoon

Get notified when DaVinci and Final Cut versions ship — drop your email.

How it works

Three steps, one timeline.

Walk through the workflow as it happens inside Premiere Pro.

01

Pick your reference camera

Choose the look you want everything to match. Hero camera, a reference frame, anything that captures the target color.

02

MOVON's AI does the work

Two AI models analyze both cameras and generate a custom .cube LUT in seconds. No profiles, no presets — just the match.

03

Apply across your timeline

One LUT for the whole project, or per-scene fine-tuning. Standard .cube — works in any NLE that reads LUTs.

Premiere Pro — MOVON panel
✓ camA_to_C70.cube · applied to 8 clips

AI-generated illustration

Why MOVON

Built different.
Built for the way you edit.

Four reasons in four different sizes — because not every difference needs the same airtime.

Inside your editor

No round-trips, no separate apps. MOVON runs as a plugin inside the NLE you already use — Premiere Pro today, DaVinci Resolve and Final Cut Pro on the way.

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AI, not presets

Match any camera to any camera. Even ones MOVON has never seen.

AI

Built for multi-cam

Sequence-wide matching, scene-aware fine-tuning. Made for shoots with three, five, or seven cameras.

3·5·7

Standard output

Exports as a .cube LUT. Works in any NLE that reads LUTs. Edit, override, ship.

.cube
See the match

Drag to compare.

Two cameras, one timeline. Drag the divider — see what MOVON does.

BeforeAfter · MOVON

AI-generated illustration · drag the divider to compare

Built for serious multi-cam

From a 40-day shoot
to a six-camera commercial.

MOVON keeps the look consistent when the rig isn't.

Feature Film

Long shoots, multiple units, A-cam through E-cam. MOVON normalizes every camera to the DP's chosen reference, so dailies look right on day one — not after weeks of color grading.

AI-generated illustration · click a category to switch scenarios

12+Cameras matched per project
Scene-aware fine-tuning
CutsNot days
Who MOVON is for

From the colorist's chair
to the DIT cart.

MOVON earns its keep with whoever owns the timeline.

Coloristler

Skip the camera normalization pass. Open the timeline with everything already balanced — then spend your hours on the creative grade, not the boring math.

Where MOVON started — and where it earns its keep first.

Directors of Photography

Lock the look on day one. Dailies match your reference across every camera on set.

Post Supervisors

One .cube to ship. Ship the conform without a manual matching pass.

Editors

Cuts that look wrong stop reading. Keep the assembly visually honest.

DITs

Match on set, not a week later. Hand over a unified dailies package.

Works with any camera

MOVON learns the look,
not the model number.

Cinema, mirrorless, smartphone — MOVON doesn't need a profile.

ARRI
RED
Sony
Canon
Blackmagic
Panasonic
GoPro
Apple
ARRI
RED
Sony
Canon
Blackmagic
Panasonic
GoPro
Apple

Hover to pause · Logo placeholders pending production brand kits

Pricing

Right now, MOVON is free.

Get it. Use it. We'll let you know when paid plans launch in January 2027.

Available now
Early Access
Freeuntil January 2027
  • All NLE plugins (Premiere Pro now, DaVinci & FCP coming)
  • Unlimited LUTs, every project
  • All updates included — no version locks
  • Direct support from the people who built it

No credit card. No strings. No “free for 14 days then $X.” Just free until 2027.

Download Free
Starts Jan 2027
After Launch
$9.90/mo

$99.90/year · save ~$19

  • Priority support
  • New camera profiles & features
  • Cancel anytime

Early Access users get a launch discount.

Get notified
Get notified

DaVinci Resolve and Final Cut Pro versions are coming.

Drop your email and we'll let you know the moment they ship. No marketing fluff — just the launch.

We'll send you one email per launch. Unsubscribe any time. KVKK + GDPR compliant.

FAQ

Common questions.

Honest answers. If yours isn't here, write us — we read every line.

Does MOVON work with LOG footage?

Yes. MOVON detects LOG input (S-Log3, V-Log, N-Log, BRAW, ProRes RAW) and applies the right display LUT before color matching. No manual setup needed.

How fast is one LUT generation?

Typically 10–30 seconds on M-series Mac, 30–60 seconds on x86 Windows. Depends on video length and frame sample count.

Will it work in my project's timeline directly?

Yes — MOVON drops a .cube LUT into Lumetri (Premiere) or your color node (DaVinci/FCP when those ship). Edit and override anytime.

What about HDR / Rec.2020?

MOVON outputs LUTs in Rec.709 by default. Rec.2020 / HDR support is in active development.

Do you store my footage?

No. MOVON runs entirely on your machine. Your footage never leaves your computer.

When does the paid version launch, and how much?

MOVON is free until January 2027. After that, $9.90/month or $99.90/year. Early access users get a launch discount — promise.

Ready to match cameras?